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“That’s why we loved the movie so much,” Rebekah says. I tell her that scene in the movie also made me upset, reminding me how much we felt like outsiders. “I got upset again when Christie Masters sticks magnets on Michele’s back brace in high school,” Rebekah says. We felt plagued by corny cheerleaders and football players at our predominantly white school. They reassured me that the people in our school knew nothing and that I was “pretty like Seventeen magazine.”īy the time we got to high school, we had gotten closer and formed a ragtag group of weirdos - a safe space in a sea of hostile sameness.
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Rebekah, with the help of our other friend Danielle, taught me about makeup and how to brush my hair. I was a dorky rebel, carrying the baggage of being mercilessly teased for being Indian in elementary school. She was a boy-crazy, pop-culture-obsessed mixed-race Black girl with a bedroom plastered with pictures of Keanu Reeves. The two of us met a decade earlier, at the start of seventh grade, and became fast friends. We can’t remember exactly when, but Rebekah does remember we rented it from Netflix’s new DVD service. Rebekah and I first watched Romy and Michele in the early 2000s when we were living together in Oakland, California. And their outfits.) We are supposed to buy that these two conventionally attractive women were high-school underdogs, and their strategy to impress their class is cringeworthy, replete with homemade business suits, a fancy borrowed car, a flip phone, and a last-minute decision to claim they invented Post-its. (The New York Times review at the time called them “bimbo Bill and Ted”.)Ī plot refresher: Two best friends from high school learn about their ten-year high-school reunion and devise an ill-conceived plan to show up their fellow students - classic teen revenge fantasy. The friendship chemistry between Romy (Mira Sorvino) and Michele (Lisa Kudrow) is palpable. Released in 1997, Romy and Michele is part of the buddy-comedy canon, but unlike Wayne’s World or the male-centric films that often define the genre, Romy and Michele is about two women: blonde, ditsy, unapologetically femme. It was like putting on an old, worn-in pair of shoes,” she laughs when I ask her how it felt to rewatch the film after a decade or more. Romy and Michele’s High School Reunion turns 25 this month, and so, in honor of the anniversary, I convinced my best friend from high school, Rebekah, the person who made me watch it in the early 2000s, to rewatch the movie with me (in different states, pausing to call each other during and after) to see if it held up. Photo: Mark Fellman/Touchstone/Kobal/Shutterstock